Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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Frans Hals Portrait of an unknown woman oil painting


Portrait of an unknown woman
1643 Medium oil on canvas Dimensions 122.4 X 97.5 cm (48.2 X 38.4 in) cjr
Painting ID::  93206 		Frans Hals
Portrait of an unknown woman
1643 Medium oil on canvas Dimensions 122.4 X 97.5 cm (48.2 X 38.4 in) cjr
   
   
     
Frans Hals Portrait of a Man oil painting


Portrait of a Man
1634 cjr
Painting ID::  94879 		Frans Hals
Portrait of a Man
1634 cjr
   
   
     
Frans Hals Singender Knabe mit Flote oil painting


Singender Knabe mit Flote
1623-1625 Medium oil on canvas Dimensions 68.8 x 55.2 cm cyf
Painting ID::  95452 		Frans Hals
Singender Knabe mit Flote
1623-1625 Medium oil on canvas Dimensions 68.8 x 55.2 cm cyf
   
   
     
Frans Hals Peeckelhaering oil painting


Peeckelhaering
between 1628(1628) and 1630(1630) Medium oil on canvas cyf
Painting ID::  95461 		Frans Hals
Peeckelhaering
between 1628(1628) and 1630(1630) Medium oil on canvas cyf
   
   
     
Frans Hals Johannes de Evangelist schrijvend oil painting


Johannes de Evangelist schrijvend
circa 1625-1628 Medium oil on canvas Dimensions 70 X 55 cm (27.6 X 21.7 in) cyf
Painting ID::  96277 		Frans Hals
Johannes de Evangelist schrijvend
circa 1625-1628 Medium oil on canvas Dimensions 70 X 55 cm (27.6 X 21.7 in) cyf
   
   
     
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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